Wörndl’s photographic imagery, with its advanced, compositional thrust, is coming to resemble works of conventional painting. In “Digital Selfportrait” the amorphous black ground of the painting enables the dazzling-white contrast image of bones reflecting rays of light – and organ substance: the pattern results from a negative process. The most complex interlocking of pattern and ground can be found in the “Body-Spaces” series. Here analogous urban images are overlapped by digital schematizations of bodies.